IT’S OH SO QUIET, IT’S OH SO STILL

So I’ve woken up in the middle of the night again, probably because Old Rufus and Young Rufus are competing to see which can be the biggest nuisance. Young Rufus is winning, on the mega-purr front and in the violent-chin-butting contest. My mouth is full of that floaty fur you get when cats decide to demonstrate affection. After an abortive attempt to ignore all this and go back to sleep, I get up. It is four o’clock in the morning.

Sideways down the stairs, one step at a time, clinging to the rail. The right knee is playing up.

Vertical human equals food, and the Whiskas-lust is upon them. I’m not feeding you yet; you’ve got twelve half-bowls of Felix to be going on with. Anyway, most of you are too fat. I make a cup of coffee. While the kettle is boiling I play a quick game of football with George. The knee is still playing up but this is a tiny football, with a bell in the middle. George is much better at football than I. Sometimes I tell people he was called that after footballer George Best, but in fact he was named after several King Georges of England. The only King George I can usually remember is the mad one, with the purple wee. All the boys are named after Kings of one sort or another. I don’t switch on the living room light in case the neighbours might see I am about in the middle of the night and conclude that I am wandering in an elderly, Alzheimer’s kind of way, or just weird. Somehow their opinions, even their putative, probably non-existent opinions, constitute an invasion of my privacy. Flicking on the News Channel, I attempt to lift the mug around Arthur without it spilling. He sits on my knee, nose to nose, bolt upright. He is staring me out. Whiskas!

No Whiskas! No till six.

Whiskas!!

Same old, same old. City centre shootings, back-street stabbings and endless migrants; border after border closing in Europe, razor-wire being rolled out; crying children, babes in arms; exhausted adults swathed in blankets against the night rain, trapped between one barbed wire fence and another all day and all night; desperate faces. I could weep for the world.

For some reason this reminds me of that 1997 song by Cornershop, an East/West fusion band.

Brimful of Asha on the forty-five…

The song was catchy and also included the excellent line Everybody needs a bosom for a pillow, everybody needs a bosom… It is a song with many layers of meaning. Asha means Hope, and Indian films are all about hope, relentless and sometimes rather syrupy. Asha was also the name of a one of the popular singing sisters Asha Bhonsle and Lata Mangeshkar, who recorded background tracks for Bollywood films. Cornershop’s lead singer is of Punjabi heritage, yet he sings Asher. In the Punjab Asha would have been pronounced Aaasha, so he is indicating that he grew up in a different culture speaking English. The forty-five was a forty-five rpm record player… the sort of thing parents still had, when their children were moving over to CD players.

The house adjoining mine is empty, oppressively so. I don’t notice it during the day but at night a chill, a kind of dankness seems to come through the walls. Apparently they are in the South of France for several months, engaged in a Grand Design project, their dream villa; or staying in the caravan of a friend of a friend, it depends which neighbour you talk to. Presumably doggy is with them. The labradoodle. I wonder what the French would call a labradoodle. Le doodle probably, since they have a tendency to leave out bits of the words and phrases they borrow from us. Le scotch for Scotch tape but Le Scotch for the whisky. Le parking for the car-park. Le living for living-room. Le brushing for blow-drying. Interestingly, le fashion-victim is a compliment rather than an insult if you are called it by a Frenchman.

Things keep reminding me of things at this time of the night – sorry, morning. There was this play. They were all in a cottage, having a dinner party. It all seemed quite normal to start with and then someone peered out of the window – never a wise thing to do in a TV play – and there was nothing there. Nothing at all. Blackness. It was as if they were flying through space, trapped together for all eternity in this one cottage, in this dreadful dinner party, with this same little group of dreadful people. The play must have thoroughly creeped me out since I am now recalling it thirty years later. I keep thinking Rocket Cottage but no, that was the name of an album by Steeleye Span. It had a rocket on the front.

So what is keeping me awake? Many things.

Mum, deep in dementia yet refusing all help. My sister emailed me yesterday: ‘I think of Mum all the time, even in the middle of the night.’ Do we just have to wait for disaster to happen? Is there no safety net – no contingency plan in a situation like this? Surely we can’t be the only ones in this situation?

And catalogues, of course. Catalogue-delivering and income supplementation strategies generally eat into my precious time – time reserved for blogging, reading and thinking. I can’t think. No time to. The house is filling up with shiny home-shopping catalogues in shiny plastic snap-bags. Drowning under the weight of them. Glug. Glug, glug… I find I have written strange notes to myself: Bag up cats – Deliver cats – Wipe and recycle cats. It’s a good thing the actual cats can’t read.

There’s a pebble-man propped up against the poetry in my bookcase. My sister made him for me and posted him from Canada. Pebbles glued on to white board, with additional art-work. I can’t help wondering how those pebbles felt, one minute nestling in brotherly companionship on some Canadian lake shore, say, the next glued to a board and painted round then whizzed into first one then another postal system and ending up for no obvious reason in an English bookcase. Are they homesick?

My neighbour arrives in from his night shift, killing the headlights early so as not to wake the neighbours – those that are not already awake. I hear him attempting to drive quietly on our unmade road, but the potholes, gravel and broken lumps of concrete of which it is composed announced his arrival from the minute he turned into the road. If the Council were to adopt the road it would be surfaced, smooth and luxurious, but our Council Tax would shoot up so we don’t make too much of a fuss.

I lift the corner of the curtain to see if there are any other lighted living-room windows, indicating that other people are about. There are one or two, up the hill and down, but you can never be sure there are actually people in those rooms. They could just have left the lights on to discourage burglars. At one time I worked an evening shift and came in at ten. Sometimes our one and only streetlight was out when I got home and it was a case of groping round the side of the house and through the night garden, trying to find the keyhole with a tiny torch, the key unwilling to fit because I was rushing to get indoors. I was imagining escaped prisoners lying in wait just beyond the bird-feeders, or lurking in the lavender.

And suddenly it is 6.30. Time to feed the cats.

One thought on “IT’S OH SO QUIET, IT’S OH SO STILL

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s