For some reason today I resolved to make the perfect Dutchman’s Puzzle block. Well, it is now 20 to 7 in the evening and I seem to have been making – and unmaking – versions of the Dutchman’s Puzzle all day. My sewing room (ie spare bedroom) floor is littered with discarded snippets, wispy ends of cotton and, somewhere or other – the back off one of my stud earrings. No doubt that has gone the way of all stud earring backs and now resides in one of the gaps between alternate universes.
It was meant to be a 12″ block but for some mathematical reason I cannot fathom has turned out to be 11″. So it won’t fit in with any other blocks and is an orphan, i.e. completely useless unless I decide to make another million of them just the same, and there’s a truly daunting prospect.
Nobody ever seems to show any curiosity as to why traditional blocks are called what they are. What, for instance, was the inspiration for Old Tippercanoe? Possibly someone in the Wild West had an ancient canoe that kept tipping them out, but for all that they were rather fond of it?
Dutchman’s Puzzle is an old block, dating back to around 1800, but why exactly was the Dutchman puzzled, or what is the puzzle the block contains? According to Ruby McKim who wrote One Hundred And One Patchwork Patterns somewhere around 1931, ‘The darker always points into the lighter and thus the Puzzle is solved into a 12-inch block’. Or in my case, 11-inch. But is that it? I mean, is that all there is to it? It’s like listening to someone tell a shaggy dog story and at the end having no idea what was meant to be funny.
Maybe he’s puzzled because something’s gone wrong with his sails (especially since I sewed them).
It didn’t turn out to be the perfect block. Apart from being an inch too small all round, even though I (thought I) did all the calculations, and the edges wafty and bedraggled-looking, the middles don’t match up
and I accidentally included some of the holes from the selvedge. And now I wonder why exactly I spent all day – apart from mowing two lawns, cutting back the brambles, washing up several times, feeding the N-n-n-n-nineteen twice, taking delivery of a stack of slippery-shiny magazines which I’ve got to force through a minimum 188 eccentric letterboxes tomorrow, and driving over to the vets for three tins of disgusting-smelling invalid cat food for my invalid cat who, of course, flatly refuses to go anywhere near it – in rapt concentration teaching myself to do something so utterly pointless.
I think it must be the dream. It’s a form of escape. So, as I cut and snip, and sew and unpick, arrange and rearrange, I am living another life. I am some lady in cotton bonnet in a log cabin in the middle of winter, and I am making the most of the daylight of some short winter day, thriftily using up scraps too small for anything else. And no doubt I have a husband who looks like that Grizzly Adams or that rather personable chap from Little House On The Prarie, who will shortly be returning home from a long day chopping firewood or what ever Grizzly Adamses do, and will greatly appreciate my homely cooking, my frugal patchwork and all my other other wifely attributes…
PS: Invalid Mog has suddenly eaten whole tin of the disgusting invalid catfood, plus antibiotic tablet hastily thrown in, and drunk a whole bowlful of water, so maybe some sort of corner has been turned.