Like a bird on a wire

When the song first came out I wept, picturing the bird (aka Leonard Cohen) trapped in a snare, a loop of wire pulled tight around its leg. In those days we didn’t know so much American. I learned later that what we would call a telegraph line Americans would call a wire, and so the bird was probably just perched on it, ready to fly away.

The lineman in Wichita Lineman, then, should have been obvious to a Brit but he wasn’t. He was something ultra-romantic, science fictional almost, a wandering, lonely creature performing some unimaginable task for The County (what was The County?) – not one of those blokes that climbs up poles to fix the electrics.

Of course, I wept at the bird in its imaginary snare, flapping and flapping its tiny wings in a desperate, futile to escape because the bird, aka Leonard Cohen, was also aka me.

I was always two people. One of me was lonely, wild and free. One of me had known even as a child making messy daisy-and-buttercup chains on her grandmother’s lawn, that one day she would take off. As time went on I read the colour supplements my father discarded from the weekend papers. I pored over the photos of remote temples and marketplaces and traveller accounts of exotic destinations.  I was that traveller. One day very, very soon that would be me on the road to Marrakech in my long hippie skirt and my cheesecloth blouse, a fraying backpack containing all that I had in the world; feet blistered, sandals dusty and worn.

The other me knew it couldn’t go, knew even as a child that it was tethered to a family in which it had no place, engaged in a lifelong struggle of trying but failing to earn that place. The other me knew it needed the mirror they formed, because without that mirror it would vanish. I was only what they showed me; away from them I had no substance: I was a ghost.

And so I enrolled in a teacher training college only a short ride away from home. I took my Mum to a film show there once; she wasn’t impressed. I plodded away at that course for three years, trying to be interested in tessellations, Cuisenaire rods and lesson-planning whilst my friend Anji – she of the wispy, piled up hairdo and the Indian father; she of the many-page letters in green ink and that great circular artistic script; she of the long white raincoat and cool sunglasses; she of the unmistakeably gay boyfriend she was always hoping wasn’t entirely absolutely gay and one day might be startled into kissing her  – Anji went to France with a girlfriend. They worked as waitresses for a while until her friend stole a tablecloth and they were dismissed. She slept under lorries with lorry drivers. It was all in the letters, until they stopped.

But I have found that at least some of those fantasy Me’s do appear, eventually. But it’s like they get watered down and de-romanticised. So, at one point I imagined myself a mysterious Englishwoman living out her final days in a cliff-top village in Brittany or Normandy or somewhere. And here I am, not exactly in France and not exactly mysterious but certainly alone and in a village with a cliff-top.

I imagined myself a hippie traveller, someone who never put down roots, someone who passed through places and had brief conversation with exotic, world-weary strangers. And there I was yesterday, catching buses after years of car-driving, alighting from one train, searching for the next and being talked to (or mostly at) by a series of eccentrics of my own and other generations.

At a bus stop a group of us tried to understand the murder of so many children by a terrorist scarcely older than they were.

On the bus I learned about sunflower seeds.

In a train a young man with learning difficulties spent a long time explaining to me that the train I was on was indeed the right train, and how to tell, in future, if it wasn’t (‘It won’t be at this platform’).

At a station I discovered the Station Master’s name was Estelle and she was the sole member of staff so she had to sweep the platform in the intervals between trains. Also that the station had no loo and the nearest one was Burger King over the road.

In another train I watched a sober old man trying to calm and distract a very drunk young man so that he wouldn’t bellow the F-word aloud in a railway carriage.

I sipped on warm bottled water and ate granola bars in instalments.

I sat behind a boy with a brutally shaven neck and the top of his head crisply waved and dyed bright orange.

I saw many exotic tattoos exposed in hot sunlight and realised how difficult it was to get twins in a buggy off a bus (you have to climb down backwards).

I sat on what might have been an artwork or merely a dysfunctional bench to wait for my friends outside Marks and Spencer.

Hejira, finally.

The past: a foreign country

This will almost certainly never happen – so don’t don’t hold your breath whatever you do – but I thought I might pen a fantastically successful ‘cozy’ (or ‘cosy’, if you’re English) detective series. This would solve all my financial worries in one swoop, in perpetuity, and be very good for my ego. However, I’m not much good at getting to the beginning of projects let alone the end, and this would be a very long project indeed.

But I am very good at preparing. I enjoy the preparing so much more than the doing. This is because doing – especially writing-type doing – is very hard work and that fierce concentration, that excitement, that passion – sucks the very life-blood out of you.

So, in ‘preparation’ I am reading a monster of a book by Dominic Sandbrook (in fact there are two books, this is the first) entitled Never Had It So Good: a history of Britain from Suez to the Beatles. My God, it’s a huge thing, I mean Bible-sized. You feel like you need a lectern.  My right thumb all but fell off with cramp after five minutes of reading.

That poster – You Never Had It So Good and the face of Prime Minister Harold MacMillan were part of my early teens. You couldn’t walk up Station Road without those hooded old eyes and those droopy old moustaches following your every move: MacMillan was the Big Brother of the early sixties.

But at that time I was just starting a new school, with all the terrors involved in that. Politics didn’t mean anything to me then and I had no idea that I was living through the seminal decade of the twentieth century. Whilst others were sitting around looking cool in coffee-bars or prancing round campsites in the West Country bedecked with flowers I was going up and down Station Road in my school uniform, burdened – yea, burdened – by hormones and a generalised sense of doom. I had no overview.

I would like to ‘write’ the sixties but the thing that worries me is the non-PC aspect. Can I really manage the awful, repugnant attitudes, the rampant racial prejudice, the ghastly belittling of women? Of course any writer worth their salt ought to be able to but it’s so very close to home. I was alive then. I didn’t know, but I was complicit.

We once had a temporary teacher of English. He was a young man – somewhat under thirty at any rate – and personable. We were a girls school full of frustrated teenage virgins (mostly) and you can imagine the electrical effect he had on us. Hysteria. We followed him everywhere, primping and giggling. But once in his lessons he threw a board-rubber – one of those great chunky wooden things – at a girl. It hit her on the forehead and she started to bleed. He was apologetic of course.

And once a Jehovah’s Witness girl stood up and confronted him. She was a timid girl, gingery, freckled and mostly silent – but he had just read out a couple of lines from T S Eliot’s Morning At The Window and it sparked something in her:

I am aware of the damp souls of housemaids

Sprouting despondently from area gates.

There is no such thing as the soul, sir, she said.

OK Susan, but let’s pretend there is such a thing as the soul, for the sake of the poem.

No sir, there is no such thing as the soul…

She was being courageously, terminally annoying. I’m not sure how I would have handled that situation as a teacher. What I think I would not have done even then was take her by the ear and drag her, tearful but unprotesting, to the headmistress’s office and dump her on the bench outside.

None of us thought a thing of it. He was our beloved, gorgeous English teacher. He was strong-jawed and handsome. His thick blonde hair was combed back in a kind of quiff. She was not popular, and he was a man.

In my new tome of a research book, I read an extract from Saturday Night and Sunday Morning, a famous novel of the sixties. I remember reading it at the time and thinking nothing of it. Arthur Seaton is sleeping with two married women, but tells himself:

If ever I get married… and have a wife that carries on like Brenda and Winnie carry on, I’ll give her the biggest pasting any woman ever had. I’d kill her. My wife’ll have to look after any kids I fill her with, keep the house spotless. And if she’s good at that I might let her go to the pictures ever now and again and take her for a drink on Saturday. But if I thought she was carrying on behind my back she’d be sent back to her mother with two black eyes before she knew what was happening.

Arthur Seaton is the hero of the novel.

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Our handsome, bequiffed English teacher left after a term. He had in fact been a good English teacher as far as English was concerned, introducing us to challenging and relatively modern poems like Dylan Thomas’s Poem in October which I would never have come across otherwise. He broadened our minds. He threw board-rubbers at us. He took us by the ear and dragged us.

He left to become a Black And White Minstrel on TV. My parents loved that programme and, forever after, every time it came on our black-and-white TV I would look out for him, although of course you couldn’t tell under the black-face makeup. Apparently he was a resting actor. You didn’t have to be qualified in those days as long as you had a degree. It never occurred to me that it was offensive for white people to black up. It never occurred to me, to be honest, that Minstrels were supposed to be black people. They were just Minstrels to me, as Gollywogs were just a kind of teddy-bear alternative. Not people.

Which is another story, and one that I don’t feel up to telling at the moment.

Couldn’t we just skip spring?

I never liked spring. Spring is an uncomfortable time of year and every year older I get the more uncomfortable I get with it. I’ve never quite been able to pin down why this is.

April is the cruellest month… as the poet Ezra Pound put it. And the reason he gives for this?

…breeding lilacs out of the dead land, mixing memory and desire, stirring dull roots with spring rain.

I seem to remember from my distant ‘Eng Lit’ past that lilacs are synonymous with lust, or at least they were around the time this poem was written. Lilacs flaunt their sinful, lustful little stalks in TS Eliot’s Portrait of a Lady too, come to think of it:

Now that lilacs are in bloom

She has a bowl of lilacs in her room

And twists on in her fingers while she talks,

“Ah my friend, you do not know, you do not know

What life is, you who hold it in your hands”;

(Slowly twisting the lilac stalks)

“You let it flow from you, you let it flow,

And youth is cruel, and has no remorse

And smiles at situations which it cannot see.”

Could that be it? The further away from lust you grow, in body and in time, the more distasteful reminders of it become? I was watching a pair of pigeons out on the back lawn this afternoon. She was waltzing about looking for sunflower seeds overlooked by the sparrows, he scuttling behind her in that weird bobbing courtship dance they do – obsequious, desperate. I am here, your Feathered Majesty, and only too willing to serve…

I caught myself thinking, Pack it up you two, or get a room.

I suppose it reminds you how very old you have become when every tree is suddenly, horribly out in overblown, luxuriant blossom – so pink, so white, so bridal!

And then there’s the weather. I went to visit my old lady today – not Mum, the other one – and standing at her front door shivering as the chilly wind blew in and the laburnum blossom danced and pranced on her lawn she seemed quite upset by it all. It should be warm, we both knew it. Either good and warm or good and cold but not this ghastly can’t make up its mind, middle of the road changeability. We couldn’t be doing with it, either of us.

At least we’re into May now. That’s April disposed of. Bad things always seem to have happened to me in April, and the lowest sloughs of despond. I remember one awful walk alone in April. I had forced myself to go out because I knew I would go mad if I didn’t. My shoes were worn out. The sky was the colour of old saucepans. Passing motorists had dropped cigarette packets beside the road, the tinfoil catching the afternoon light, and someone had tossed out an old music cassette (remember those?) with brown tape streaming off into the grass of the verge.

Everything seemed odd, the wrong colour, polluted. Down the side of the hill, in the distance, horses were bending their heads to eat the wet spring grass in a field. There was something horrific about it, something wrong. I suppose it wasn’t the worst day of my life – the very worst ones seem to merge and sink out of sight – but this particular one took root in my memory.

Spring always affects me like that. I was a winter baby. Give me icy roads every time, and that kind of damp cold that gets into your bones. Give me blizzards and an early, cosy nightfall. Failing that let me have lazy summer heat when the roads are empty at noon and nobody stirs, or autumn and the sudden death of the leaves, the first few gales.

Couldn’t we just skip spring?

Kiss it better

Canadian sister and I were talking, transatlantic fashion, about how much we missed Mum. Mum’s in a home, and she does not know us. I visited her today and she asked, in a rare half sentence, where The Daughters were. I am guessing that in her mind The Daughters are not the lumpy, grey old badgers that come to visit her but spotty, insolent teenagers or pigtailed infants.

The television was on loud. People being pompous about food, drizzling this jus or that jus on this or that. We agreed that we both particularly hated cooking programmes.

Finding her propped up in the armchair, my Adopted Godmother (or Godmother Elect) and I lowered ourselves onto Mum’s squishy orthopaedic bed with our feet on the squashy blue plastic ‘in case of falls’ mattress. Every time one or other of us moved, or stood up to make Mum a cup of tea or find her a jacket, both bed and fall mattress gave a fart and a chorus of desperate sighs. It was how we felt.

Last night Canadian sister told me how she felt when she learned her husband of forty years had cancer. She said she wanted to tell Mum, straight away. She knew Mum couldn’t do anything about it but she had to tell her all the same. But she couldn’t tell her. Mum was past understanding anything anyone said. She had tiptoed off without bothering to say goodbye, it felt like.

I told her something I had not realised until I said it, that although Mum had spent most of her life annoying me in one way or another I often longed to talk to Old Mum about New Mum. If only she would come back just for one day so that I could ask her what to do, even though there is nothing at all to be done.

When you lose your parents it’s weird. It’s not like you become a grown-up, suddenly. Here you are, still a five year old inside the elderly carapace you hardly recognise in the mirror, but now you’re abandoned, cast back upon your own inadequate five year old resources. All the bad and sad stuff that has always been inside you, all that stuff that will probably get better someday all the while Mum and Dad are in the world – suddenly they aren’t in the world, in any meaningful way. And then all the bad and sad stuff starts to creep and snuffle its way out. Unchecked. Unbalanced. No one to kiss it better.

When we were children, if we fell over and cut our knees she would wash and bandage them for us. “Mummy kiss it better,” she would say, and the magic always seemed work. It occurred to us that it’s not important whether or not a parent – or anyone else – has any actual power to help you. It only matters that you can tell them. It’s just somebody being there to listen.

I suddenly remembered a time when my parents were both alive but old and, as the unmarried daughter, I seemed to have to go around everywhere with them. We went to a museum once. Admittedly it was raining and all three of us arrived at the reception desk in dripping rain-hoods, looking like drowned rats. ‘Three Seniors?’ the woman enquired with not even a trace of face-saving irony. Dad even bought me a walking stick exactly like his though I didn’t (and still don’t) need one.  How depressing I found that museum visit. How I wish I could turn back the clock and relive it now, torrential rain, walking stick, stupid receptionist and all.

Play that song…

So there I was, aged thirteen and three-quarters or thereabouts, attending the Methodist Youth Club. All Around Me (as the ghastly Christmas song would have it) Children Playing, Having Fun…. Except that I wasn’t having fun and the Methodist Youth Club wasn’t anything like everyone cracked it up to be.

It was held in the back room of the Methodist Chapel in Station Road. The floor was uncarpeted boards and kind of dusty. Having moved the long metal benches to one side a handful of teenagers thundered about on it, aimlessly. In one corner there stood an out-of-tune piano. Every once in a while a brave or show-offy teenager attempted Chopsticks on it, very loudly and very badly. One or two could also manage a version of a tune I notice has come back again recently, in disguise. Now it’s hiding in a catchy rap-type thing called Play That Song:

Play that song
The one that makes me go all night long
The one that makes me think of you
That’s all you gotta do
 Hey, mister DJ when you gonna spin it
My baby’s favorite record she been waiting for a minute
She invited all her friends and I’m buying all the rounds…. etc
 Originally it was known as Heart & Soul (Hoagy Carmichael, 1939) and had different words.

Whatever, they plonked it out on the piano for a minute or two before losing interest.

There were only other things to do to pass the time at the Methodist Youth Club, which as I recall was more or less unsupervised by any kind of adult. You could disappear into the back room to take part in a kind of seething mass snog in the dark, which was where ninety percent of them went. Or you could play ping pong. Mass snogging was obviously a total no-no for a girl of my mangy ilk. Nobody ever asked me to play pingpong and I would have been mortified if they did. I therefore stood around watching other people play pingpong.

I stood around trying to pretend I wasn’t the only person standing around with not a soul to talk to.

I stood around trying to look as if I could have played pingpong or disappeared into the back room for a snog in the dark – if I’d chosen to.

I stood around, a too-tall, spotty teenager who wouldn’t take off her blue school mac (why? why did I go round in my school mac all the time? I must have been so weirder even than I remember), her hair scraped up into two wispy school-type bunches. I had not only spots all over my chin all the time but, as it seemed to me, boils. People laughed at me. I dreaded going to the Youth Club. I dreaded not going. I looked forward all week to going. I hated actually being there.

On the subject of ‘why’. Why do mothers come out with stuff like ‘Oh you might get the odd little spot or two now you’re a teenager, but by the time you’re eighteen your hormones will have settled down…? Untrue, so untrue. It’s one of those absolute lies regularly told to women and little girls, such as:

‘Childbirth? Not nearly as bad as people make out…’

‘The change? Scarcely noticed it!’

‘No, of course old ladies don’t have hairs growing out of their chins. That only happens to wicked witches in storybooks…’

So I stood there week after week, one Airforce Blue school raincoat-clad elbow casually draped upon what had once been the mantelpiece, appearing to be reading with utter fascination the only other book in the room apart from a massive Bible on a lectern, which nobody would have been seen dead even approaching.

There I stood, week after a week after week after week, under the beady eyes of Jesus. He was a wrinkled print in a cheap frame. He was sitting on a hilltop somewhere, on a hillock or maybe a boulder. I remember he didn’t look a bit Jewish, more blonde, curly and wispy-brown-bearded. He had a halo of course, and all around him were children of all nations gazing up in longing and adoration. I believe it might have been captioned Suffer the little children to come unto me. I seem to remember little girls were perched on his knee and even at the time it struck me as a bit creepy and horrid.

However, He was Jesus and He was looking down on me and even at thirteen and three quarters or thereabouts I hoped that He might be looking after me as well and saw me as I stood there hideously self-conscious and awkward beyond all description. He saw the meanest sparrow fall unnoticed in the street, after all. Why not me and my many zits? It’s not at all fun suddenly being adolescent especially when, even before a tidal wave of hormones decided to envelope you, you were pretty screwed up.

The book was called The Midwich Cuckoos and it was by John Wyndham. I can see it now, a cream and orange penguin paperback somebody had abandoned on what had once been the mantelpiece to gather dust. It was a library copy – a paperback that converted into a hardback and plasticised, a torn date label inside. The plastic had gone brittle in the sunlight and was crackling away at the edges.

I can see that book so clearly, what I can’t remember is the plot since I never read a single word of it in all the months that I stared so earnestly and learnedly into its brown and faded pages.

I suppose I’ll have to read it now. Exorcise the ghost.

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In Oppley they’re smart, and in Stouch they’re smarmy, but Midwich folk are just plain barmy”  (The Midwich Cuckoos: John Wyndham)

Featured Image: Piano Duet: Pamela Blaies

White plastic popper-beads and a red hat

I have noticed that my posts become increasingly like the white plastic popper bead necklace I had when I was a child, and which broke all over the floor during a game of spin-the-collection-plate at the Sunday School Christmas Party because some stupid boy (probably Peter Stelmazuk) yanked on them to see how they were held together. I get one thought, and that leads on to another, and that another and occasionally if I’m lucky the end thought joins back up to the first one.

I used to know a woman who spoke like I write. Unfortunately she lived opposite me on the new estate that Ex referred to scathingly as Brookside. She was one of those women who having discovered you stuck to you like a veritable limpet and wouldn’t stop talking. I used to get invited over to their house, which was hugely much bigger than mine, with a conservatory, a lovely (if bijou) garden with a water-feature, and those massive, expensive armchairs with electric controls that lift the back, the seat, the arms, the footrest and whatever other moving parts it has up and down so as to ensure your absolute comfort whilst consuming white wine or nibbling on canapés of an evening.

Her husband used to go upstairs to his study as soon as I arrived, either to construct model aeroplanes or to further his bid to become a local councillor so as to have speed bumps inserted into Brookside’s smooth new speed-bumpless circular road, which the local hooligans used as a racetrack, using the car park of the equally new and monstrously big Tesco store as their starting point. He was exhausted being married to this woman and, after only twenty minutes in her company, I was exhausted too. Unfortunately, I never got away with less than a whole evening.

She would talk non-stop, seamlessly segueing from one irrelevancy to another, whilst I tried desperately to keep all the threads together and understand the connection between them. I would watch her mouth moving and moving and moving, fascinated and horrified, wondering when – and how she was ever going to get to the point. Her conversation was like one of those fractal leaves, you know? Endlessly branching, branching and branching. And the thing was, you couldn’t tune out and daydream because every now and then she would stop and ask a question, but never about the branch of the fractal she was currently on, always about something several branches back. I couldn’t abide her, but abide her I did for several years. I felt sorry for her because she had no friends. I knew what it was like to be impossible and unlikeable and not understand why. I suspected she and I had an uncomfortable something in common, but at that time I didn’t know what.

She used to take me shopping in Canterbury. She would drag me round one department store after another, looking for a red hat or similar must-have object. She would never buy anything. In each store, instead of looking for the must-have object she would approach the first sales assistant she spotted on the ground floor and demand to know where the red hats were. She would fail to memorise the instructions and ask the poor woman – who was actually selling make up or perfume rather than hats – for it all to be repeated. Then she would drag me up and down escalators in search of red hats, because of course despite the repetitions of detailed instructions she had instantly forgotten where the red hats were.

Then we found the red hats, and one particular red hat she really loved. Then we would leave the shop in search of a cash machine because she had not got any cash out before going shopping. This would take some time. Then neither of us would be able to remember where the particular red hat was, so would spend the rest of the morning trying to relocate it. Then she would disappear into changing rooms and leave me standing in the middle of the store. Hours later, still standing there, I would wonder if she had simply gone home. I would ask shop assistants if they had happened to see her. None of them ever had.

I moved house but she came to visit me, turning up in her husband’s bright yellow sports car and skewing it across two of my new neighbours’ parking spaces. She was not a good driver though it was a good car. The best air-conditioning I had ever experienced, and it smelt of new leather and great expense. She also phoned, at great length. I had ‘caller display’ put on and took to not answering it when her number showed up. I felt bad about that.

Now, I remember where this was going. Sooner or later we will get on to the Youth Club, the out-of-tune piano and a single battered copy of The Midwich Cuckoos. And somewhere in the mix will be a queasy, beatific portrait of Jesus surrounded by unlikely children of all races, suffering them to come to him. And then there will be my newly-found Certificate of Baptism and my dear Godmother who is not, in fact, my godmother at all as it transpires.

I think it will have to be another post.

Maybe even two.

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In praise of contraptions

What is the difference between a contraption, a gadget, a device, an apparatus, an invention…?

To me a contraption needs an element of eccentricity, a fair amount of ingenuity and a sprinkling of creative overkill.

This morning on the news there featured a gentleman in Bristol – like Banksy – not Banksy, presumably – disguised in an all-enveloping jacket with the hood up, his voice muffled: the anonymous Grammar Vigilante. He goes around in the dead of night, often in fear and trembling lest he be discovered, inserting apostrophes into words on shop and business signs where apostrophes have been sinfully omitted and removing apostrophes from words into which they have been equally sinfully inserted. But people might say, says the news reporter, that what you are doing is illegal. You don’t have permission to correct stuff.

It’s not right, he says simply. Someone has to put it right. I’m proud that it’s me. And good on him. I’d do the same myself if I had the nerve.

What struck my eye, though, was his special gadget. His contraption. He called it “The Apostrophiser” and it was a wonderful thing – with one end he could apply, at some height above his head, the apostrophe, carefully matched to the original sign for colour and font. The apostrophe started off as a blob and was carefully, expertly, smeared into the proper shape by a small wheel. On the other end was a gadget for blanking out superfluous apostrophes. The Apostrophiser worked a treat but was so big he had to carry it openly about the night-time streets of Bristol. I did wonder as to the necessity of the hoodie etc for a man with a giant wooden Apostrophiser dangling from his right arm, but…

Life is so much more interesting for contraptions, isn’t it? Nan and Grandad didn’t have a fridge, which was a problem on Sundays when they bought a block of Raspberry Ripple ice cream (my favourite) to go with our Sunday Lunch. Grandad dug a deep, square hole under the bathroom washbasin – it must have taken him at least a day – and made a kind of dumb waiter to lower the ice cream into. It seemed to work. It don’t remember it melty. He also made what he referred to as a dibber out of the handle of an old garden fork. Sawed it off and sharpened it. I think the idea of a dibber was to make a nice neat hole to settle seedlings into.

I recently spent ages combing the internet, trying to find a contraption I had imagined, in my head (sorry, it would have been in my head, wouldn’t it?). I could see the thing but nobody seemed to be selling it. Ridiculous. There’s somebody selling everything. It was a thing for squeezing every last drop of meat out of the cats’ Felix sachets. I’m a vegetarian. I hate getting gravy all over my hands and I hate waste. Some poor old horse or chicken or whatever has perished that my moggies might eat and it just feels iniquitous to waste its precious little chunks of flesh.

The thing I had in mind had two prongs, or two somethings – like hair-straighteners? For flattening the pouch. At last I found one, and a very good one. In fact I bought two in case one of the precious items should go missing. Why can’t they call things by sensible names? Like, the sort of description you might type into Amazon when searching?

Dad did try with contraptions, but he didn’t have Grandad’s flair. He once made me a T-shaped thing for reaching down into the hole that the water-meter is in, outside the house, and kind of twisting the handle. Actually, an arm with a hand on the end works rather better, but I keep Dad’s gadget anyway, like the walking stick he bought me and which I am not yet incapacitated enough to use, the rusty screw-driver and the ancient ruler, because he gave them to me.