Listen With Mother

It had sat in that same corner all my life – beside the window chair in the living room – my mother’s sewing box – and yet I had forgotten about it.

When I was a child she often gave me the sewing box to tidy, and I genuinely believed I was helping rather than – as seems more likely now – being kept amused. I remember sitting on the floor surrounded by cotton reels and cards of press-studs and hooks and eyes and being full of my own importance. I was helping. This goes back to the time before things went wrong, before Mum started lying on the sofa and crying for most of the morning instead of dusting. The time before Nan started coming along to help, and Mum started taking two aspirins every four hours for most of many days.

In those days we would listen to Listen With Mother together on the radio. She would sit me on her lap and I would start twiddling a lock of my hair in sheer anticipation. What would it be today? See-saw Marjorie Daw or the one about the four-and-twenty blackbirds baked in a pie? We had to have teddy with us. The radio lady always asked us if we had our teddies with us, and whether we were sitting comfortably.

Are you sitting comfortably? Then I’ll begin…

But back to the sewing box. I think I took it all rather seriously. I not only sorted out the cotton reels but wound in every loose end and secured it in the little notch at the top. I not only tidied the button box but threaded the buttons into a long string using one of Mum’s darning needles – little buttons at one end, all the way up to giant coat-type buttons at the other. Duffle-coat toggles were a bit of a worry…

I had to go back there about a week ago – I think I wrote about it – to remove Ex’s paintings as the house is now being sold to pay Mum’s fees. I was dreading it, and it was pretty dreadful, in some ways. Arriving half an hour before the removal firm man, I sat on the doorstep for ten minutes unable to go inside on my own. When he arrives, I thought, I’ll usher him in first and he can confront the ghosties! But then the neighbours started making casual passes back and forth. I realised they didn’t know who I was and assumed some sort of Bag Lady. Maybe they were about to call the police and have me removed… so I plucked up my courage and went in.

I busied myself packing Nan’s blue half-a-tea-service, which I had promised Mum I would save, and which nobody else seemed to want. I remembered the tea service from Sundays with Nan and Grandad. When first Nan and then Grandad died the half-a-tea-service (presumably my uncle had the other half) moved along the road and took up residence on a Welsh dresser in Mum’s living room. I had brought newspapers with me, and carrier bags.

Take anything you like, my sister said. The house clearance man was coming to take the lot. Probably been and gone by now.

I found a little album with a few random photos in it, of Mum and Dad and me maybe fifteen years ago, exploring the local chalk-pit that had been turned into a tourist attraction (or that was the idea) by the addition of wooden walkways and stairs. I have no photos of Mum and Dad – indeed, no photos at all of any part of my life – somebody else seems to have had them all at each step of the way, so I put that in the bag. I found a grubby old “Knitting Patterns” album containing not knitting patterns but recipes – all Mum’s favourite recipes in her familiar handwriting, recipes torn out of women’s magazines and annotated. Little interjections, mostly with her favourite exclamation marks

Delicious!

I substitute sultanas for mixed fruit!

360F, middle shelf!!

I thought I might share a few of the recipes with you, in occasional future posts. A way of Mum living on and in a small way contributing to the future, if you see what I mean.

And then I spotted it – the sewing basket. It was very, very heavy but I brought that home too. It sat at my feet high up in the removal man’s van. You need to be a veritable mountaineer to get into one of those things, and I all but landed in a heap trying to climb down out of it at the other end.

And then there was the dilemma. That evening I sat with Mum’s sewing basket on my knees and shed the few tears I ought to have shed a year earlier, at the thought of Mum to all intents and purposes gone. Mum in that home. Mum not at home. The house I grew up in not my home now. Everything off with the house clearance man to be distributed, no doubt, among charity shops.

But what should I do with the basket? Part of me wanted to sit on the floor, take out a whole lifetime of bits and bobs, half-cards of bias binding, folds of orange ribbon, samples of hessian (whatever did she use that for?) and of course the button box which, when I was a child had seemed a huge and magical container and now seemed to have shrunk to a hexagonal toffee tin with pictures of rabbits and 1950s postmen on the front.

Part of me wanted to leave it exactly as it was, so that the muddle inside should be Mum’s muddle, her memorial, a little bit of her practical, creative mind. In a way I wanted to keep her boxed, rather than bottled.

The dilemma continued for some time. Should I use the sewing box – as she would probably have wanted – or leave it undisturbed? After all, they were not really magic, the rusty tin of pins, the darning needles rusted into the tartan pincushion… I remember her teaching me to make a version of that pincushion for my Brownie sewing badge. They were just old things.

And then today I decided to design something to sew. Now, don’t laugh. There is a reason for it but I haven’t got time to go into it right now. I designed a Sad Cat Hat, taking the pattern from a sunhat I bought at a market stall on a recent visit to Canterbury, cutting out paper pattern pieces from the front cover of the Radio Times and pinning them onto an old pillow case for my “trial version” of this unlikely object. And then I thought, I no longer have any dressmaker’s shears and the kitchen scissors are too blunt. Maybe Mum has some?

In the bottom of Mum’s sewing box was a perfect pair of dressmaker’s scissors and – and this is the strange thing – left handed ones. Now, how does that happen? Mum was right handed. I’m left-handed.

And it seems to me that Mum – wherever she hides, inside that poor old grey head – was trying to get a message to me. Take the middle way. Use what you need but only when you need it, leave the muddle mostly, but not entirely, undisturbed.

One Long Frog

‘First swallow your frog’ used to be one of my favourite mottoes. In other words, at the beginning of each day tackle that one task you want to do about as much as swallowing a live frog. However, it seems to me that the older you get the more frogs seem to string themselves together until some days seem to be One Long Frog.

Take the other day, for instance: mammogram; long wait to see a doctor about a persistent cough; chest x-ray. And I only had tooth x-rays the day before. Won’t I be radioactive? Or are mammograms some other sort of wave and/or particle? Long bus journey there. Long bus journey back.

And tomorrow? One Long Frog. Long bus journey to see my elderly lady. Well, I like seeing my elderly lady and she likes seeing me, but listening-and-prompting for an hour is surprisingly hard work – like job interviews – something I was good at. Good at the interview, rubbish at the job, usually.

After elderly lady? Remove scratchy ‘visitor’ dingly-dangly thing with awful photo from around neck. Speedwalk to bus stop. Catch next bus into town instead of home. No doubt will get the Smelly Person again. I never realised human beings were smelly until I started caching buses. In town, catch next train. Then another train. Then walk to Mum’s bungalow to meet a person called Peter from a removal firm. Person called Peter is going to pack up a whole bunch of Ex’s paintings and prints and drive them and me back home. Thank goodness. At least I haven’t got to brave the school bus, this time.

While he’s making the Works of Art damp- and rodent-proof – for who knows how long they will now be languishing in my garage? – I have to pack up Nan’s blue tea set. That’s the only thing I’m ‘rescuing’ before the house is cleared – by someone called Gavin, or was it Steven? – and Mum’s lifetime possessions, and all my lifetime memories, get driven off and distributed around the local charity shops.

To be honest, I don’t know which is worse – seeing Ex’s painting again and being reminded of Ex – because the paintings are the person – or seeing Mum’s house half empty, and that garden – her life’s passion and obsession – merely mown. Just sort of kept under control until the new owners or, as seems more likely, the bulldozers move in.

I always promised myself I wouldn’t go back, after that last traumatic/humiliating day/night when Mum was marched off to hospital, sandwiched between two burly ambulance-men. ‘Worst part of my job, this is’ one of them told me. But there’s no avoiding it. I’ve had my orders.

However, I remind myself of what happened with Nan and Grandad’s bungalow, in the same street. After they died Mum insisted I went along there with her. I was young(ish) then and had never seen a cleared house before. Nothing of Nan and Grandad remained: empty rooms smelling of linseed oil where someone had been fixing the windows. That house meant so much to me and it had never, ever, occurred to me that one day its whole shabby-familiar insides, together with Nan and Grandad, could just be gone. I hated Mum for taking me along there. I hated her businesslike mood.

‘Don’t you miss Nan?’ I asked her.

‘Oh, I’ve shed a tear or two, when I’ve been on my own.’

Shed a tear or two. Is that what you say about your own mother? But I knew what she was doing: brushing it under the carpet, setting it aside, saving it for later when I wasn’t there. Self defence.

That night I dreamed myself back in that house. I was standing in the empty kitchen and Grandad hurried past. I tried to talk to him but he couldn’t seem to see me. It was as if I was the ghost. And outside a sea of daisies pushed their way up through the lawn in that clever, punning way that subconscious daisies have.

For a long time I couldn’t see anything else but that empty, linseed-smelling house. It overlaid every childhood memory. My past had been removed. But gradually, over the years, the house as I had known it returned. I realised I could revisit it at any stage in its history, and myself in any stage of mine. All its past incarnations were still there, and so were mine.

And so I hope that gradually, after tomorrow’s final visit to Mum’s house, the colours of the past and all those lost versions of me will start to surface again. Finality and emptiness will be just one version.