Trad Jazz and Tarantulas

If you had asked me to make a list of what I was expecting from last night’s Outing tarantulas would have been unlikely to feature on it.

Not that I would have probably got round to making such a list because making such a list would fall under the banner of Mushroom Stuffing, Mushroom Stuffing being but one of that multitude of things that life is too short to do. A further example – Bertie spent much of our Thursday bus stop waiting time recounting the lengths he had gone to in rejuvenating his last year’s Remembrance Day poppy. The black bit in the middle had come out, he said, and he couldn’t find it, but eventually he did find it under the fridge/ washing machine/ spare-room bed/ hallway hat-stand, and then it was a matter of attaching a fresh bit of wire, hunting out the superglue and attaching the battered red petals to the new framework… This must have taken him several hours. Mushroom stuffing.

I mentioned mushroom stuffing. Nobody knew what I meant, of course.

Last night I went on an Outing. For most of my life the concept of Outings has been a foreign one to me. I am that pathetic, lone-wolf type person whose default position would be Do This Alone, Go There Alone, Solve This Yourself etc. But now I no longer have a car and have perforce become more reliant on other people and have had to retrain myself, somewhat, if not exactly into sheep-hood, at least into a lone-wolf/ovine combination. I have also read that Social Interaction might help you not get Alzheimers.

This I how, with three of my fellow Over 50s I came to be being driven into town (after dark) in a frankly odoriferous – dog/ cigarettes/ air freshener/ unidentified-but-unpleasant, possibly nappies – car, to a district on the outskirts of Town that I would until now have been nervous of frequenting in daylight let alone on the night before Bonfire Night, with premature fireworks lighting up the sky. I focussed on my breathing. There was very little air inside this car, and so many people breathing it.

However, it was a good night, if stressful. In this district the new owners of an old shop were renovating it when they came across a sealed room. On breaking in they found a perfect little music hall theatre left over from 1879 or thereabouts and somehow forgotten. It had offered “rational amusement for all classes”, including a one-armed juggler.

The sound of one arm juggling…

They restored it, making it into a mixture of tiny heritage centre, tiny museum, tiny cinema and tiny theatre. Just the sort of place I like. Sort of place you could set a book in.

Behind the Scenes at the… oh no, that’s been done before.

I wasn’t expecting much from a 1920s evening. Not even the oldest Over 50, I think, can actually remember the Roaring Twenties. I imagined we might be in for a party of not-very-good flapper dancers in thick, cheerful make-up, performing ragged Charlestons, or maybe re-enacting romantic scenes from Noel Coward plays. But it was an Outing. I just went because Outings are supposed to be good for one.

But it wasn’t that at all, it was an “orchestra” of six elderly chaps playing traditional jazz, and rather well, plus a slightly younger crooner-type singer, wearing a tuxedo, a bow-tie and sinister BBC announcer/German spy type spectacles, and playing the saxophone in between. They consisted of a trumpeter, with mute; a clarinet player with a white ZZ Top type beard; a snowy-haired, feisty drummer, for whose life I feared during a vigorous drum-solo; a guitar/banjo player who appeared to be asleep through out, with mouth open, but nevertheless kept on playing, and someone in the middle at the very back playing what I assumed to be a tuba – something like a battered brass snake that enveloped him, with a giant gramophone horn attached to the end – but later discovered it was a souzaphone.

I promised myself I would not, Kermit-fashion, jiggle up and down in my seat in time to the music, or even tap my feet, but of course I did. They played all those bits of jazz I remember from black and white films on TV on rainy Saturday afternoons in my childhood. Long, silly introductions. Little sung stories leading into sudden bursts of rampageous jazz. I looked around. We were surrounded by union jacks and tasteless swags of red ribbon, and vases of lilies, something that looked like a church organ, weird deco. It could have been wartime. How appropriate, as Britannia sinks beneath – or, fingers-crossed and baited breath, may just about float upon – the waves…

Never, Never, Never to be Slaves….

Afterwards, as we were standing outside awaiting the return odoriferous lift , I asked a silly question. What’s behind that great big wall?  Right opposite us, mere feet away, was the tallest and oldest brick wall I think I have ever seen. This would not have been a silly question for a visitor from outer space (and I could see by the micro-expressions on my companions faces that I had just asked that sort of question) but I do live here. That, I was told, is the Dockyard.

And this is where the tarantulas come in. Behind that wall, my companions explained, as our breath steamed in the damp night air, is the Dockyard. And in that wall are tarantulas that have escaped from all the crates that were ever unloaded here. They live in the cracks in the wall… The wall is still pitted with shrapnel holes from where this street (well, they were obviously aiming for the Dockyard) was bombed in the last war.

Really? Do they bite?

No, they’re not the biting sort. They just live in the cracks.

Someone has tested that?

And suddenly I imagined all these poor little tarantulas and the lives they must have led. The Wall was as far as they could get. Scuttling out of their crates into, not the tropical sunshine they had been used to but some grey, damp February or November day. Heading for the nearest cover – that Wall. Living in the cracks, unable to go any further, unable to go home. How sorely they must have missed it, the music of the oil drum bands, those joyous calypsos beneath the palm trees. I hope they were at least tapping their feet along to strains of jazz drifting across from the little theatre. I hope they were jiggling just a little, Kermit-fashion in their shrapnel holes, and those crumbling interstices.

souza

 

Where sheep may safely graze

I always associated this piece of music with England, perhaps from constantly hearing it on The Home Service (1939 – 1967 national radio station, now BBC Radio 4) in my childhood. Now (ach!) I discover that it is in fact Bach’s Cantata 208 and the ‘sheep’ of the title are not so much our lovely, fat woolly English sheep roaming over hill and dale, as the citizens of Weissenfels, who could ‘safely graze’ under the gracious care of the Duke of Weissenfels. Presumably the Duke was a patron or sponsor. Later it came to be thought of as the sheep being looked after by the Good Shepherd. However, it’s a lovely piece of music and I have included a classical guitar version of it. Much prefer guitar to other instruments (particularly abhor trumpets).

I was thinking about the love of one’s country the other night, whilst plugged into the MP3 player, drowning out the upstairs-and-downstairs thundering of the beastly neighbours by listening to, among other things, The Lark Ascending by Vaughan Williams. Music is more powerful than words. It cuts through all those ‘logical’ explanations, our sophisticated smokescreens. Like Sheep, The Lark Ascending reminds me that if you are British you cannot ever really get away from the love of your own country. This is an unfashionable and somewhat embarrassing thing to say, and it usually only surfaces here when some external threat arises.

It’s one of those visceral things like there sometimes are between people – an invisible cord joining the two, painless and mostly-forgotten about until you try to pull, or find yourself being pulled away. I feel that I have always been here, through all my incarnations. I suspect some of us are ‘travellers’, soul-wise, and some of us arise the soil. We grow out of a particular landscape, and are part of it.

When I was quite young my mother sank into depression. In those far-off days everything female/unhappy-related came under the heading of – in ascending order of severity – Needing a Tonic, Nerves, or Nervous Breakdown – the standard treatments being a) bottle of iron tonic from the chemist b) Pull Yourself Together – ‘Curtains’ as the Samaritans put it – or c) Being Taken Away. Suspect Mum had the Nervous Breakdown. She did not get Taken Away, but it felt as if she had gone away somewhere, and she only half returned.

I remember she stopped practising cartwheels on the lawn and no longer felt like playing tennis on the road with us, in the gaps between infrequent (and always black) motor cars. I remember mainly that it seemed to go on for years, and involved having to be quiet while Mum curled up on the sofa with yet another headache and Nan tiptoed round doing the housework, and getting us our tea. I remember all the aspirins, and the four hour thing. On the dot, every four hours, another two aspirins. No more than twelve a day. I remember Dad telling me it was my fault, for arguing with my sister. If I was better behaved, he said, Mum wouldn’t be sick.

One thing I don’t remember, from then, but do recall overhearing Mum talking about years later, was her obsession with the Atomic Bomb. She was convinced that we, her three girls, were all going to die, at once, and soon, under some great mushroom cloud. I am guessing that this bit of her illness may have been around 1962, and the Cuban Missile Crisis.

Recently it has occurred to me that what with North Korea, and America, and Russia – the whole world, it seems – threatening dire outcomes and technicolour mass destruction – wouldn’t it just be ironic if what Mum so feared for her children were to come to pass after all, but over half a century later and when she was way past fearing or comprehending it? What if she even somehow wished it into being and is somehow linked, to it?

But let’s not venture onto that same dark pathway into the woods: no good ever comes of it. Let’s just say the music made me think, about all that has been, here, on this little archipelago of islands, swished around by a chilly sea, lashed by gales in winter, rained on every few days, blessedly warm and sunlit on occasions.

All our history, all those little lives. Dinosaurs once walked where I live now. We find their footprints. We find their bones. All those kings and queens, those beggars and paupers. All those families, all those mothers fearing for their children, all those wars, all that surviving somehow-or-other, all the new generations, all the moving on, the changing and the staying the same. Sometimes, like my mother before me, I feel that something pulling away, that potential for catastrophic loss, that painful tug on the cord.

A little early in the morning for Thomas Tallis

It seems a little early in the morning for Thomas Tallis…

(We are rifling through my CD collection. My inner Monkey seems far more ‘precious’ and intellectual than me. I’m not at all sure I like him.)

I’ve been reading The Untethered Soul by Michael A Singer – a New York Times Best Seller in 2007.

You always get them late…

I am thinking this is going to be…

Finally!

…a really useful book, mostly because it’s in such brutally plain English it’s almost scary. I read a lot of stuff about Zen back in… oh, who knows? Particularly the splendidly named Christmas Humphreys, though he wasn’t much help. I recall a lot of stuff about monkey-mind, fingers pointing at the moon; bullocks, or maybe oxen, pulling carts; monks carrying beautiful ladies across raging rivers but scarcely noticing; people who went around saying “Mu” a lot; people who somehow ‘saw’ flowers in a way that lonely housewives from Kent could not ‘see’ flowers, and the Sound of One Hand Clapping. Now what’s that all about? That One Hand thing, it’s bothered me ever since.

But then of course, since it’s a Koan, it’s meant to bother you. It’s meant to explode your mind into some higher consciousness…

Why hasn’t it, then?

Maybe some Jackson Browne? Blast from the past? That rather lovely picture of him emerging from the river – or possibly just the local swimming pool.  Kate used to like him, didn’t she? She had that polaroid photo of the two of them together blu-tacked up on her notice board at work. Taken at some concert in London. Treasuring it into her old age. She looked so young then, with that sixties hairdo and all the kohl eye-liner…

Shut up!

Who exactly are you telling to shut up? I am not you, remember? I am a figment, a chimera, an ostrobogulation… and yet I am you – whatever you might actually be – attempting to control the outside world, manufacturing an illusion that it’s not as real and random as it truly is…

An ostro-what?

Good one for WordsWithFriends. Daisy’ll never have heard of that one.

That’s because it doesn’t exist, you…Monkey!

Look it up.

It doesn’t… Good God, there is such a word as ostrobogulation.

Slightly risqué, indecent, bizarre, interesting, unusual..

Why would there even need to be such a word?

I don’t think I ever ‘got religion’ though Ex informed everyone I had. That was around the time I left him, and shortly after the time of reading Christmas Humphreys.

You can see how he conflated the two concepts. And it would have made sense of it for him – exchanging his Godlike self for another.

If only I could have got religion, life would have been so much simpler. How very much I would have liked to be sure that Jesus would save me if only I was good…

…as in Norman Greenbaum: Prepare yourself you know it’s a must / Gotta have a friend in Jesus / So you know that when you die / He’s gonna recommend you to the spirit in the sky…

You’re even heckling me with forward-slashes now?

… but I could never narrow myself down to that.

I remember being temporarily impressed by something a visiting Methodist preacher said, about all the leaves, and all the tiny veins on the leaves, and… because where else did all this come from, if there wasn’t a Great Designer?

Ah, the old Argument From Design; but leaves-and-such – an intellectual argument, and not satisfying. And you didn’t know about evolution then. Not that it negates evolution. Actually, if I was God I’d use evolution because after all I’d have invented evolution. So elegant, so subtle, so classy…

Actually, how am going to think if I can’t talk to myself? It is possible to reason at all without words?

Is that the same Monkey, or another Monkey?

Many Monkeys. Mind full of Monkeys…

Even as a child, leaves, planets, the vast unfathomable reaches of space… none of that was enough. What was enough was the harum-scarum flight It took me on one stormy afternoon, over fields and walls and fences, to a field with one great tree in it. Enough was when It told me that It loved me and wanted me back. Nothing else, but that stormy day, the pink light, the thunder and the lightning flashes, the falling of raindrops on laurel leaves…

Nothing else but that solitary, magical, childhood flight has been enough.

flight

You’re the colour of the sky

Reflected in each store-front window pane

You’re the whispering and the sighing

Of my tires in the rain

You’re the hidden cost and the thing that’s lost

In everything I do… *

 

*Sky Blue and Black: Jackson Browne

Surreal

A Poem Can Bloom In The Middle Of The Road

A poem can change the colour of her hair

And dress up kinda tarty;

A poem can wear an unfashionable hat

And push a bomb in a basket.

 A poem can make you believe she’s a song

Crooned by some pretty kid;

A poem can paint himself on a wall

And be worth four million quid.

A poem can spill out her heart on the news –

Doesn’t have no help, no food;

A poem can wade to you from a boat

With all his children drowned.

 A poem can bloom in the middle of the road

Or climb up your garden wall;

She can build a nest in your guttering

Or be anything at all.

paint

Abracadabra (A New You Effective Tomorrow)

Hmm, being someone new, tomorrow, anyone in the world I wish, alive today or long ago. Hmm….

This is one of those Daily Post prompts. You’re meant to write a Post in response to the Prompt, then create a Pingback within the Post – somehow. That’s an awful lot of Ps to get one’s head around but I’ll have a go, though knowing my technological luck it’ll either fail to ping or it’ll pong instead. Another hazard of pingbacking, apparently, is self-pinging. I envisage this as some nightmarish feedback loop, my blog feeding back to my blog feeding back to my blog…

Talking of ponging. We weren’t, but it sort of ties in – I can’t help but hear the late Kenneth Williams fulsomely singing in a commercial for toilet cleaner. Kenneth Williams was a comic genius, one of those chaps you couldn’t help laughing at. But uneasily, always uneasily. A strange mixture, always: ultra-camp/scary. Anyway, a rudimentary cartoon loo, having inserted into its tank a block of a freshening product called Bloo, announces “Oooh, I feel like a New Loo.”

I wonder what it would be like if you could, though? Take some sort of magic tablet, wave some sort of wand, yell Abracadabra – and there you are all of a sudden: someone else. And maybe somewhen else.

Apologies: marginally relevant Blast from the Past.

Well, I definitely wouldn’t choose to be me again: one lifetime of me-ness has been way more than enough and if reincarnation turns out to be a kind of Groundhog Life and having to come back as the same person again and again and again until I get it right… Nooooooooo!

I’d like to be a Man, for starters. Men on the whole lead more interesting lives, and they are free in a way that women still aren’t. Still. And probably never will be. I want to lead a proper life.

And I’d like to be musical because that’s something I’m not – except in my soul. In my soul I am a great composer, I am… In reality I am the girl who could never make sense of musical notation. I got stood next to the music mistress in Assembly and told to turn the pages while she belted out some hymn or other on the piano. She knew I couldn’t read music. I’d had to report to her in the staffroom after school about not being able to read music, even. So why… ? Revenge, I suppose.

Of course I turned the pages in all the wrong places and nearly died of fear. She was bald, I remember, my music teacher. Going thin on top. And Apparently her false teeth fell out during one of her music lessons – landed with a porcelain chatter on the piano keyboard, apparently. If only they had obliged during my page-turning-assembly-humiliation, everyone might have laughed at her instead.

And if I’m going to be musical and a man I want to be Thomas Tallis, who wrote Spem in Alium, the best piece of music ever. I always wanted to meet Thomas Tallis – how much better to be him.

In which case I’ll have been born towards the close of Henry VIIIs reign and will have started out as an organist in Dover Priory, in my own county of Kent (so perhaps I am Thomas Tallis, spookily reincarnated for some unfathomable reason as a lumpy old Englishwoman). And then I’ll make music at Canterbury Cathedral (been there, done that, paid the entrance fee, investigated the souvenir shop – they won’t let you out otherwise).

Throughout my career, though ‘an unreformed Roman Catholic’ I’ll play a careful political/musical game, subtly adjusting my style to suit the tastes of four successive monarchs. Not much else is known about my life except that I will write quite a lot of the world’s most fantastic music. But what else matters apart from that?

I’ll die peacefully in my house in Greenwich in November 1585 and be buried in a church called St Alfege, the exact location of which has disappeared from the maps. My bones may be discarded by labourers when the church is rebuilt between 1712 and 1714. All that will remain of me is a brass plate upon which someone has engraved some verses so dire as to be worthy of that remarkable (and much later) Scottish poet William Topaz McGonagall:

“Entered here doth ly a worthy wyght, / Who for long tyme in musick bore the bell: / His name to shew, was THOMAS TALLYS hyght, / In honest virtuous lyff he dyd excell.

“He serv’d long tyme in chappel with grete prayse / Fower sovereygnes reygnes (a thing not often seen); / I meane Kyng Henry and Prynce Edward’s dayes, / Quene Mary, and Elizabeth oure Quene.

“He mary’d was, though children he had none, / And lyv’d in love full thre and thirty yeres / Wyth loyal spowse, whose name yclypt was JONE, / Who here entomb’d him company now beares.

“As he dyd lyve, so also did he dy, / In myld and quyet sort (O happy man!) / To God ful oft for mercy did he cry, / Wherefore he lyves, let deth do what he can.