Nobody trained my parents. I mean, parents are supposed to provide Guidance, right? But nobody seems to have told my parents that. In any case, we were working class and so weren’t actually going to have careers, right? People like Us had jobs, if we were lucky. And we hung on to our precious jobs, because They might not give us other jobs, if we were to lose them. People like Us accepted we’d have to barter most of our short little lives for money.
I remember only one conversation with my parents about careers. It was when we had to choose our O Level subjects. The school sent a form, with tick-boxes. At some point during this conversation – heated and tearful, like all our conversations – one of them asked Well what do you want to do with your life? And I remember wailing
But I want to be a POET!!!”
And them making that suppressed snorting noise that parents make, and telling me no one ever made any money out of being a POET and I should pick something sensible like being a TYPIST!!!
But really, I was right. What I wanted to be was what I actually was. I WAS a poet. But really, they were right. Nobody ever made any money out of it.
Shortly thereafter I taught myself to touch-type on two different mechanical typewriters – the sort that have ribbons that are one half black and one half red, for some reason and that you never really do learn to change when they run out. I was fast and accurate on the letter keys, slower and less accurate on the numbers (I abhorred numbers) and eventually I got myself a job, in fact a series of jobs, being a typist.
I continued to scribble poems in my spare time. I was a good poet, if I says so myself, as shouldn’t. And of course I had visions of my gem-like offerings twinkling from the pages of the Sunday Supplement Magazines. In my head, I was lined up for an interview with someone like Melvyn Bragg on some sort of TV Book Programme. There I was, hair swept up in some much longer and slightly birds-nesty hairdo, eccentric-yet-stylish in fringed shawls and Laura Ashley prints, lounging in some black leather armchair by a roaring fire, being effortlessly intelligent and witty for all the world to see. I was revered, my genius rewarded.
In the meantime, I carried on typing, really fast, and my hands grew gnarly and thin from all that hammering of the keys. People tended to ask me if I played the piano, because I definitely had piano-player’s hands. Long, long fingers, flexible, prehensile, splayed at the ends. Nails cut – or bitten – short. I carried on typing year after year. My hands began to hurt, suddenly, when I went to open a door or reached out for something. That damage never went away.
So – the sad story of a poet manqué.
I am no longer good at poems. My muse slunk off into the desert early on, as the muses of poets have a tendency to do, burnt out or bone idle. However, in the last few weeks has occurred to me that what I am still good at is Short. I can write Short Stuff. Anything up to a thousand words, it just sort of flows, occasionally veritably cascades out of me. Anything over a thousand words and things rapidly go wrong. I’m like one of those little clockwork puppies. Wind me up and I buzz around busily and turn the occasional somersault, all furry and appealing. Then the clockwork stops and there’s me stranded, mid table-top.
With an effort I cranked up my imagination again – clouds of dust from the ears – and started jotting down flash fiction ideas in notebooks. At first it was one idea a day: now I can’t stop them. Soaking in the bath, in the middle of washing up, or half way through a phone conversation or a really good film and – blast it, another four or five ideas. So many pesky ideas I couldn’t actually get started on writing them, till today. Today I have written one, and it didn’t take me any longer than a blog post.
But then, it isn’t any longer than a blog post. So – Yay!